Russian Formalist Criticism: Four Essays by Lee T. Lemon.

Kent Puckett's Narrative Theory: A Critical Introduction provides an account of a methodology increasingly central to literary studies, film studies, history, psychology and beyond.

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Russian literary Formalism, an active movement in Russian literary criticism from about 1915 to 1929, approached the literary work as a self-referential, formed artefact rather than as an expression of reality or experience outside the work.

FORMALISM, STRUCTURALISM, MARXISM: FREDRIC JAMESON'S CRITICAL NARRATIVE Marshall Grossman Blackburn College Insofar as Russian Formalism was an intrinsic approach, tending to isolate the art work from its social and historical contexts, its confrontation with Marxism was inevitable. Since Formalism and the Marxist objections to it have proved.

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LITERARY CRITICISM. Literary criticism in the closing decades of the nineteenth century and the early decades of the twentieth century clearly reflects the growth, often tumultuous and uneven, of America's culture and sense of self-identity. Between 1870 and 1920 the way literary critics thought about the relationship between art and society began to shift dramatically.

Amazon.com: Readings in Russian Poetics: Formalist and Structuralist Views (Michigan Slavic Contributions No 8) (9780930042257): Ladislav Matejka, Krystyna Pomorska: Books.

Russian Formalist Criticism: Four Essays Lee T. Lemon, Marion J. Reis Snippet view - 1965. Russian Formalist Criticism: Four Essays Lee T. Lemon, Marion J. Reis Snippet view - 1965. Common terms and phrases. aesthetic anecdote artistic basic beginning Boris Eichenbaum Boris Tomashevsky Brik's Caliph chapter character characteristic characterization criticism defamiliarization devices of plot.

For an overview of formalist poetics, see The essay by Ann Jefferson, in Jefferson and Robey. Erlich, V., Russian Formalism: History, Doctrine (The hague: Mouton, 1955) The Russian Formalists' work was extended and critiqued by the Bakhtin circle, especially: Bakhtin, M. M., and Medvedev, P. N., The Formal Method in Literary Scholarship.

A slim volume containing four Russian essays on formalist literary theory, which concentrates on the textual structure, style, and form of a literary work. Two of the essays in this volume are by Victor Shklovsky: Art as Technique, and Sterne's Tristram Shandy: Stylistic Commentary. In the former, Shklovsky examines the use - or the theory of.

She aims to theorize the relationship between modernism and postmodernism from a specifically alimentary perspective. By examining the work of these major twentieth-century authors, this book focuses on strange or unusual acts of eating - 'eating' otherwise - as a means to ways of 'being' otherwise. What can eating tell us about being, about.

A critical but balanced study of the formalist origins of stylistics, this book traces the impetus for a new discipline with objectivity and rigor resulting from the impatience of literary scholars with “impressionistic criticism” and introduces the Russian formalists through the work of its most distinguished pioneer, Roman Jakobson. First.